The book explores freedom through an environmental and personal lens, interweaving James Baldwin and Annie Dillard quotes with personal anecdotes, especially her interactions with her son. “It’s about freedom,” she said, and went on to explain, “There’s political freedom on one hand, and then there’s spiritual freedom… metaphysical freedom, and this book is about how they kind of intersect.” In three words, she summarized what she had chosen to tackle with this project. The latter, a memoir, revolves around love, gender queerness, motherhood and family, melding these issues together in a deeply personal narrative.Īt her reading, however, she introduced excerpts from an upcoming novel she had never before read to the public. Nelson is best known for her books “Bluets” and “The Argonauts.” The former describes, in 240 prose-poems, the color blue and how it reflects her personal stories of pain and suffering. Eavan Boland, director of the Creative Writing Program, introduced Nelson as an author who “challenges orthodoxies” and “displays her own distrust of categories” in her writing. The MacArthur grant awardee and USC professor visited Stanford on January 28 as the second Lane Lecturer of the academic year. In the hands of Maggie Nelson, the creation of art precipitates the destruction of categories.
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